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Golden : Acrylic Fluid Paint: 30 ml: Set of 10

£41.5£83.00Clearance
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The Pyrrole family is one of the newer pigment families to be developed. The Pyrroles are almost as opaque and, in fact, brighter than our Cadmium colors. Pyrrole Orange, Pyrrole Red Light, and Pyrrole Red exhibit excellent opacity and lightfastness. They also offer clean mixing with other organics, unlike their Cadmium counterparts, which produce muddier blends. Disclaimer The Fluids can be poured and puddled, dripped and dragged onto the canvas to achieve some unique effects. By altering the speed, the distance from the substrate and nozzle size or shape while pouring, one can control the size and shape of the resulting pour or drip. Working with different Fluid colors together, either simultaneously or at different times, can be an interesting technique. Acrylic paint usually dries within twenty to thirty minutes. However, some paints such as Golden Open Acrylic have a prolonged drying time, meaning they can be worked with for longer. Of the 51 colors currently in the Fluid line, 45 are considered excellent in lightfastness (the ability to withstand color change due to exposure to light). The remaining 6 are rated very good for lightfastness. GOLDEN does not use any colors within the Fluid line rated less than very good. Those colors rated as very good include Green Gold, Naphthol Red Light, Naphthol Red Medium, Hansa Yellow Light, Permanent Green Light, and Dioxazine Purple. PIGMENT FAMILIES The Quinacridone Family:

Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others.Every color within the Fluid Line is approved for professional artist use according to ASTM Standards for Artist Materials. These standards regulate paint consistency and demand fineness and lightfastness of chosen pigments, use of 100% acrylic binder, freeze-thaw stability, and accuracy of labeling for pigments used. Evaluation by an approved toxicologist is required.

Eventually, the popularity of the Fluid custom formula reached a point where GOLDEN was able to introduce it as a standard line of product. The Fluid Acrylics are formulated similarly to GOLDEN Heavy Body Acrylics, the main difference being the viscosity or consistency at which the paints are finished. Hence, the pigment load or color strength of the Fluid Acrylics is comparable to the Heavy Body Acrylics. In fact, because of the greater leveling of the Fluid Acrylics, some artists believe the Fluids are actually stronger than the Heavy Body colors. PRODUCT PROPERTIES Mixing Fluids with other GOLDEN Products Golden started creating Fluid Colors on a custom basis for artists requesting a low viscosity, pigment-saturated paint. Some of these artists wanted to pour, puddle and drip their acrylic paints, others wanted to stain with the acrylics using them as alternatives to watercolors, and still others wanted to use the paints for spray application. Many artists were already thinning Heavy Body paints with water to achieve these effects. Although simply adding water or medium to the Heavy Body Acrylics sufficed to meet the needs of most artists, some complained that the resulting paint was not strong enough. These artists desired an undiluted acrylic that would provide optimal tinting strength and coverage. Most of the Iridescent Acrylics are made from mica particles coated with Titanium Dioxide and are very resistant to fading. Some are made from metal and metal oxides, such as Iridescent Stainless Steel and Micaceous Iron Oxide. The Iridescent acrylics will not oxidize or tarnish since they are made from stainless steel, naturally occurring minerals such as mica, or fully oxidized materials (Refer to Interference & Iridescent Acrylics Product Information Sheet for more information). The Fluid Interference Colors The paint loads evenly onto a paintbrush, and flows consistently from brush to surface, allowing for longer, more uniform brush strokes than the Golden Heavybody Acrylics.

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|Acrylic paint is fast-drying and made with pigment suspended in an acrylic polymer emulsion. Oil paint is slow-drying and consists of pigment suspended in a drying oil, such as linseed oil. When used for applications other than staining and washes, we recommend diluting the Fluids with no more than a 1:1 ratio of Fluid Acrylic to water. When using the Fluids specifically for staining and washes, there is no limit to how much water can be added. Film integrity will automatically result when the substrate absorbs the paint mixture. Washes can also be sealed with an acrylic medium to increase overall film strength. Brushing Quality Quinacridone Red is GOLDEN's recommendation when a very intense mixing magenta primary is requested. It is very close in hue to the color gels produced by Kodak for primary magenta at 5500 Kelvin. Quinacridone Magenta and Violet tend to be excellent choices for mixing colors in the lavender through purple range, with the addition of various transparent blues. Quinacridone Red, Red Lt., Magenta and Violet produce high intensity pinks through lavenders when mixed with white. GOLDEN recommends using these colors when a punch of a fuchsia or fluorescent color is needed, yet permanency is also required, for a particular work of art. The Phthalocyanine Family: The organic pigments are a group of colors that are synthetically produced through complex carbon-containing chemistry involving various materials including petroleum, coal tar and natural gas. Many of these pigments have their roots in the chemistry of the 1800's, although widespread production didn"t really begin until the 1930's. Even though they have only been available for several decades, organic pigments have demonstrated remarkable abilities to withstand the impact of light and weather. Pigment Selection & ASTM Standards

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